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Clay College, Stoke, offers a skills-based, full-time ceramics course taught by potters who make a living through ceramics, something unique in the UK. We are proposing that from September 2017, a two-year full-time course will be run for 14 students, with each year consisting of three 15-week terms.
The emphasis will be on core skills and the use of materials. Students will be taught all aspects of design, throwing, glazing, kiln building and firing, alongside traditional hand building and decoration techniques. This will be augmented by modules focusing on business and marketing which will offer students the opportunity to become self-sufficient, developing their own business model to suit their work and sufficiently skilled to join a work force in a production pottery…
To Read More Visit Clay College – Teaching a new generation the art of Pottery
People from Stoke-on-Trent are proud of their city’s heritage.
History records the achievements of men and women from our city and tells us the role they played on the world stage.
Stoke-on-Trent’s city council was one of the pioneers of comprehensive education. It defied both Conservative and Labour governments and replaced grammar and secondary modern schools with neighbourhood comprehensive schools and a sixth form college.
Local art schools, technical schools and colleges of further education were progressive centres of excellence. Reginald Mitchell, who designed the Spitfire, turned down a place at Birmingham University. He wanted to serve an apprenticeship with a firm in Fenton and to study engineering at technical schools in the city.
By the beginning of the 1930s, the North Staffordshire Technical College was a university in everything but name. The college had an international reputation and attracted overseas students. It possessed the world’s leading ceramic research centre and had Europe’s best mining school.
There are those who say the past is dead. They are wrong. The past lives in our collective memory. It makes us what we are today. Stoke-on-Trent has a proud heritage – a heritage which must not be forgotten. A city that forgets its past is a city without a future.
Stoke-on-Trent’s first art school, The Potteries School of Design, was opened on January 25th, 1847. It held evening classes in Hanley, Stoke and Longton. Students were taught elementary drawing, basic design, freehand painting and modelling.
The school’s first headmaster, John Murdock, and his successor, John Charles Robinson, made it a centre of excellence. Students won national prizes and were awarded scholarships enabling them to continue their studies at the Government School of Design in London.
During 1851, pottery designed by students from North Staffordshire was exhibited at the Great Exhibition, held at the Crystal Palace* in Hyde Park. Their designs impressed Prince Albert who had helped to organise the exhibition. He persuaded the government to devise a scheme to build a regional College of Art and Technology in Hanley which would have university status and branch schools in Tunstall, Burslem, Longton and Newcastle-under-Lyme.
The government’s proposal to build a regional college in Hanley was made public at a meeting held at the Wesleyan School in Burslem on January 19th, 1853.
During the meeting, Smith Child, who was North Staffordshire’s most generous philanthropist, and leading pottery manufacturer Herbert Minton offered to help finance the college. The scheme was rejected by civic leaders and pottery manufacturers who wanted each town to have its own art school. Prince Albert’s attempt to bring higher education to The Potteries had failed.
Shortly afterwards, small design schools were established in Newcastle-under-Lyme and Burslem.
Monthly fees for students attending classes at the Burslem school were 1/9d (9p) for men and 1/6d (7.5p) for women. The school’s headmaster was William Jabez Mückley, an artist whose work had been exhibited at the Royal Academy. It held classes in the assembly room at the Legs of Man, an old coaching inn frequented by thieves and prostitutes. Despite the venue, William was a popular teacher who attracted and retained students. Although the school gave Burslem well-trained pottery designers and skilled crafts persons, local firms refused to help it find more suitable premises.
The school closed when William left Burslem in 1858.
*The illustration shows The Great Exhibition in the Crystal Palace
Copyright Betty Cooper – The Phoenix Trust, September 2010