Category Archives: Stoke
A few years ago we made a Time Team film in an 1870s railway navvy camp high in the Yorkshire Dales, on the Settle-Carlisle railway. Navvies, like archaeologists, were known for their boozy lifestyle and we fully expected to find massive evidence for drinking. And we did! There were trayfuls of sherds, but they weren’t glass. No, they were mostly pieces of blue-on-white china, usually from teacups and saucers. Tea, it would appear, was the hard-bitten navvies’ tipple of choice. And I have to confess that as I get older I find tea and coffee are getting more and more inviting. Which is why I’m writing this rather unusual, for me, blog post. Time for another memory.
Sometime in the mid-1990s I went with English Heritage (now Historic England) on a trip to Stoke-on-Trent to look round a rare working pottery. During the late 20th century many manufacturers…
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Spode site in Stoke is continuing to change, the area up by the new hotel and visitor centre remain the same and work is almost completed on the hotel itself which is housed in one of the old Spode buildings.
Half of the site has been sold to a developer, this is the side closest to the A500 road. You can see the civic centre in Stoke across the cleared land.
The other half which is nearest stoke town centre will soon have more (larger) units for artists and creative’s to rent from Acava and the City council. The China halls that have been used for putting on the British Ceramic Biennial and also performances of plays, is still there but some of the more modern ancillary buildings have been demolished. As a studio holder its a strange experience walking through the site. It’s a bit of an excuse not…
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In July 1750, the Rev. Richard Pococke visited Newcastle-under-Lyme and The Potteries.
Richard who kept a journal of his travels described North Staffordshire as an area where pottery manufacturers used local clay to make unglazed earthenware, bricks, tiles water pipes and plant pots. Some manufacturers mixed white pipeclay from Poole in Dorset with calcinated flintstone from Lincolnshire and other places to make salt-glazed stoneware pottery and ornaments.
All the ware made in the district was baked “in kilns built in the shape of a cone” which Richard said gave the area “a pretty appearance”. He went on to say that there were “great numbers” of these kilns in the Pottery villages to the east of Newcastle-under-Lyme.
In this edited extract from his journal, Richard describes Newcastle-under-Lyme and The Potteries as they were in 1750. He wrote:
“Newcastle is a small, well-built market town situated on the slope of a hill overlooking a lake. It has a handsome church and a market hall. Although Newcastle is the capital of the neighbouring Pottery villages, there are only a few potters working in the town.
“I left Newcastle on July 6th went to see the Pottery villages. I rode two miles to Stoke where stoneware is made. On leaving Stoke, I visited Shelton where red chinaware is produced and then went to Hanley were all kinds of pottery are manufactured. I visited Burslem where the best white and other types of pottery are made. The last place I went to was Tunstall. Although all kinds of pottery are made there, Tunstall is famous for making the best bricks and tiles.”
Earlier in the summer I had the opportunity to move from my lovely studio 27 at ACAVA Studios: Spode Works to a bigger space (2.5 times as big!) in the same Studio complex. Although it’s a scary prospect (2.5 times bigger means 2.5 times the rent!) I feel increasingly sure that I want to focus on […]
(First posted on August 1st, 2017)
To read the full post visit Introducing my new sewing studio — Very Berry Handmade
Having a sketch book means waiting for anything is a pleasure, especially somewhere like Stoke Station where there are plenty of subjects to draw. This letterbox on Platform One caught my eye, marked with the initials GR, for George VI (reigned 1936 to 1952). The evening sunlight was pouring all over it and it was […]
(First posted June 6th, 2017)
To read the full post visit Train leaving Platform One — Drawing the Street
In parts one two and three of our edited extracts from Aikin’s “A Description of the Country From Thirty to Forty Miles Round Manchester” we saw what Goldenhill, Newfield, Greenfield, Tunstall, Longport, Burslem, Cobridge, Etruria, Hanley and Shelton were like during the last decade of the 18th century. Part Four, the last article in the series describes Stoke, Fenton and Longton in 1795.
Stoke is a parish-town with a large, ancient, well-endowed church which has several chapels and churches under it. The town, like most other parts of The Pottery, has improved much since the Trent & Mersey Canal was cut. It contains some handsome buildings and from its closeness to a wharf on the canal is well situated for trade. There are many earthenware manufacturers some of whom own large factories. At this place, a gentleman by the name of Spode used the first steam engine to grind flint. The river Trent passes here, at times with rapidity although the brick arches which carry the canal over the river do not seem to have sustained much damage. J. Whieldon, Esq. has a pleasant rural residence here. A new road has lately been made from Stoke to join the main London Road between Newcastle and Trentham.
FENTON AND LONGTON
Fenton and Longton conclude the pottery beyond Stoke. Longton is much larger than Fenton. Part of Stoke parish it has a church, a Methodist Chapel and meeting houses for dissenters. These towns, particularly Longton, manufacture large quantities of earthenware; but it is said to be with less attention than in the other parts of the pottery, consequently, it is of inferior quality although there are a few factories whose ware is second to none. At Fenton, there is the residence of Charles Smith, Esq. and Sir John Edensor Heathcote lives at Longton Hall.
Some earthenware is also manufactured at Newchapel, Wolstanton, Red Street, Newcastle, Norton and a few other places.
The Potteries in 1795 (Part Four) – Edited by Betty Cooper